Produced by Bristol sound co-founder Geoff Barrow, this scabrous if slight first film turns a sceptical eye on the ecstasy-fueled club scene. Self-serving pillhead David (the actor) first robs an unconscious dealer, then in a later recollection tries to burgle his own parents. In no time, he's overturned in the remains of his car in a forest – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with impatience toward townies, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Grimly Amusing Confrontation
The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to free himself from his safety harness, while awkwardly transitioning into past scenes of his normal activities. The bigger point – that the ecstasy generation were primarily out for themselves – is clearly conveyed. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Woodsman turns up, fuming after David kills his dog. Still, a grimly amusing duel unfolds – David eager to get away; the Woodsman withholding his jerrycan of cider, intent on dousing him instead in resentful talk. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.
Visual Flair and Promo-Inspired Sensibility
There is only one important plot development, but it leads to a comically executed chaotic run on the forest trails that veers toward rural terror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing artful shots of insects in the light in the early stages, he now lets rip with the full psychedelic grand display, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the UK video industry.
The film releases in British and Irish theaters from November 17.
